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Performing Arts Center

Movies at Main Street Landing

Movies at Main Street Landing

Main Street Landing’s weekly movie series brings great classic cinema to the Burlington area. It is a free event open to the public on a first come first served basis. We accept donations at the door to benefit a local non-profit. Movies at Main Street Landing offers the non-profit organization the platform to raise money, to receive advertising exposure, and to promote their cause.  Movies at Main Street Landing culturally enriches the Burlington community with free classic films presented weekly on our big 25 foot movie screen, with Dolby surround sound. Every Tuesday Night at 7 p.m. at the Main Street Landing Film House, Third Floor of the Lake and College Building, at Sixty Lake Street, in Burlington, Vermont. More info? Call Mariah Riggs, Director of the Performing Arts Center, 802-540-3018,or


Movies at Main Street Landing


Mercy Connections

22 sq ft 22 gross/month


1/2- A Face in the Crowd (1957)

22 sq ft 22 gross/month

A Face in the Crowd,” a 1957 movie written by Budd Schulberg and directed by Elia Kazan — the same team that had already made the classic “On the Waterfront” — stars Andy Griffith as Larry “Lonesome” Rhodes, a folksy, charming Arkansas traveler who soars from a filthy jail cell to the pinnacle of American celebrity and political power. “A Face in the Crowd,” made in the shadow of the anticommunist witch hunts led by Sen. Joseph McCarthy, was one of the first movies to take on the startling power of television, which had entered a majority of American homes just five years earlier. Meet Lonesome Rhodes he is coarser and blunter than the others. He goes through women like they’re cheap snacks. He calls minorities names. He makes big promises and then denies ever having made them. He tells it like it is — or at least like the people thought it had once been, back in the gauzy time when things were good. He calls people in power dumb and phony and uses all of this to become the most important personality of his time...A important film that is more relevant today then ever.


1/9- Miller's Crossing (1990)

Miller’s Crossing is an aesthetic pleasure of the highest order on nearly every level. Begin with its almost intolerably sumptuous cinematography, with reds and greens so deep one is in danger of falling into them. This was the last film that Barry Sonnenfeld shot for the Coens—and one for which he persuaded them to use long lenses instead of the wide-angle variety they had favored—and no one involved has mustered a better-looking work since. The 90's prohibition-era mob drama classic from the Coen brothers is a film not to be missed.


1/16- Notorious (1946)

22 sq ft 22 gross/month

In Notorious, a brilliant allegory of love and betrayal, Hitchcock fuses two of his favorite elements: suspense and romance. A beautiful woman with a tainted past (Ingrid Bergman) is enlisted by American agent Devlin (Cary Grant) to spy on a ring of Nazis in post-war Rio. Her espionage work becomes life-threatening after she marries the most debonair of the Nazi ring, Alex (Claude Rains). Only Devlin can rescue her, but to do so he must face his role in her desperate situation and acknowledge that he’s loved her all along. Stunning performances, Ben Hecht’s excellent script, and Hitchcock’s direction at its best make Notorious a perfect film.


1/23- The Thing (1982)

John Carpenter's 1982 film The Thing is a much more faithful adaptation of John W. Campbell's novel Who Goes There? than the original adaptation, Howard Hawks' 1951 production The Thing from Another World. It focuses on twelve men who are stuck in an Antarctic camp for the winter of 1982. After finding that the neighbouring Norwegian camp has been mysteriously destroyed, they realize that a deadly alien life form is on the loose. Most terrifying of all is the fact that this alien can change shape, infecting a person on a cellular level and then relentlessly absorbing and duplicating their cells, imitating them from the inside out until there is nothing human left. Therefore, at least one among them may be the Thing. While a commercial and critical bomb when it was first released, The Thing is a remarkable example of what time can do for a film. These days, it is very well known and has been very successful on VHS and DVD. In addition, you'll be pretty hard-pressed to find a "Best/Scariest Horror Movies" list that doesn't include it and it is regarded as one of the best uses of Paranoia Fuel in cinema. In a serious case of either Tempting Fate or Paranoia Fuel, The Thing (along with The Shining) is screened every year for those "wintering-over" at the Amundsen-Scott South Pole Station, after the last plane leaves them in the long winter blackout.


1/30- Fail-Safe (1964)

22 sq ft 22 gross/month

After the Cuban Missile Crisis of 1962, the Cold War was threatening to get hot. World War III didn't just seem possible, it seemed inevitable. 1964 saw the release of two movies related to that concept, both from Columbia and each helmed by a famous director near the beginning of his career. Stanley Kubrick directed the darkly comic masterpiece Dr. Strangelove: Or How I Learned to Stop Worrying and Love the Bomb, and was able to convince the studio to release his movie first. Sydney Lumet's grimly toned Fail Safe wouldn't be released until months later, leaving it in the shadow of its more famous predecessor. Although it received warm reviews, audiences stayed away, perhaps unable to take it as seriously as they should have after the similarly plotted Strangelove. Even Henry Fonda, who starred in Fail Safe, has said that he didn't think he could have played his scenes as the President with a straight face if he'd performed them after watching Strangelove. Decades away from its release date however, it's long past time for Fail Safe to be viewed independently as a taut, claustrophobic, thriller and to take its place as a Cold War classic.